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Post-Internet

Movement in arts and criticism

Texto em inglês

Post-Internet is a loosely defined 21st-century art movement that generally referred to contemporary art concerning the concept of the Internet no longer being perceived as a novelty in society. In 2006, artist Marisa Olson coined the term "postinternet art" to describe her work.

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Texto em inglês Ainda não há artigo no teu idioma: trecho em inglês.

Post-Internet is a loosely defined 21st-century art movement that generally referred to contemporary art concerning the concept of the Internet no longer being perceived as a novelty in society. In 2006, artist Marisa Olson coined the term "postinternet art" to describe her work. The term was then adopted by writer Gene McHugh who authored a blog titled "Post-Internet" in 2009, which further discussed and popularized the concept into a movement growing out of previous Internet Art. The movement is associated with the 21st century contemporary art world and aimed to reflect the ubiquity of the Internet in the Information Age through practices derived from the Internet as a medium or its effects on aesthetics, culture and society. Notable artists include Jon Rafman, Artie Vierkant, Ryan Trecartin, Brad Troemel, Joshua Citarella, Molly Soda, Cory Arcangel, Stepan Ryabchenko, Parker Ito, Kalup Linzy, Amalia Ulman, Petra Cortright, Ryder Ripps, Andrew Norman Wilson, DIS, Seth Price, Katja Novitskova, Jonathan Monaghan, Rachel de Joode and Lizzie Fitch. In 2006, artist/curator Marisa Olson coined the term "postinternet art" in an attempt to describe her practice. Digital art and the internet date back to the 1970s, post-internet art refers to art made after the internet became a ubiquitous part of day-to-day life. According to the UCCA Center for Contemporary Art in Beijing, rather than referring "to a time 'after' the internet", the term refers to "an internet state of mind". Eva Folks of AQNB wrote that it "references one so deeply embedded in and propelled by the internet that the notion of a world or culture without or outside it becomes increasingly unimaginable, impossible." According to a 2015 article in The New Yorker, the term describes "the practices of artists [whose] artworks move fluidly between spaces, appearing sometimes on a screen, other times in a gallery."

Texto: Wikipédia em inglês, CC BY-SA 4.0. · Imagem: Stepan Ryabchenko (CC BY-SA 4.0) ·

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